One of the regular activities of a dedicated group of 8 members of Bangor and North Down Camera Club, who feel that they have photographed everything of interest locally, is to have an annual trip away to some off-shore location.
Past trips have been to Grenada, Spain and Tuscany, Italy. On this occasion Paris was the chosen destination and a good opportunity to practice their French on the locals.
Trevor Craig introduced proceedings for the evening stating that it is an old adage that when important photographs have to be taken one should always have a spare camera. As well as his trusty Canikon camera, Trevor brought his Fujifilm X100 as backup. As it turned out the latter camera didn’t work!
Trevor took his audience on a grand tour of some of the well known landmarks, but with a different aspect; very early morning and late night vistas, without the distraction of hoards of tourists in shot. Continue reading
Unfortunately, our guest speaker booked earlier in the season was unable to make it tonight, so at very short notice our two stalwarts, Hugh and John stepped into the breech and provided us with a tutorial evening centred around Workflow and Lightroom and Photoshop.
Hugh explained his theoretical order of converting his RAW photographic image into a finished photograph which is ready to be printed. He took the time to explain by demonstration, the basic steps used in converting a RAW image to a finished image using the Develop module within Adobe Lightroom. There were demonstrations of colour balance adjustment, sharpening and noise reduction given on a specially selected group of his own images.
John transferred to his own Mac laptop and discussed with illustrations, how he saw a wonderful panorama vista whilst travelling back to the ferry after a holiday where the weather and light was poor.
He explained the process of taking the multiple of overlapping photos, whilst being aware of the changes of lighting as he turned towards the setting sun.
He then loaded the photos into PTgui software which he uses for stitching panoramas. Using lower than normal resolution jpgs for speed of demonstration, the panorama was quickly produced and cropped.
A quick sortie into Photoshop was made to remove an errant bystander and several cars and a quick tweak of the bright corner resulted in a perfect panorama.
Inspiration indeed for all present. Thanks again to Hugh and John for a very interesting and informative evening which proved that there is really no difference in an image shot by a Nikon or Canon. It’s all in the eye of the photographer.
While some folk are new to Pictures To Exe and taking things slowly, others are ploughing ahead and have a number of questions about very specific stuff. I include below some of the questions I have recently been asked:
1. How do you change the music, and how does it affect the overall timeline?
2. Please explain all the stuff about ratios again, you mentioned 4:3, 16:9 and 16:10 and then you mention pixels, 1920×1080 (full HD) and also 1920×1200, I am confused!
3. How do you get the images to a smaller size, with out losing screen display quality? (My PTE exe is 150MB and I can’t upload this…)
4. I have stitched together a number of photos to create one big letter box. But when I try to put it in PTE, it shows the full width and makes the height very small. How do I show the full panorama?
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Friday night was one of those evenings where we had no specifically planned activity.
With the arrival of so many new members and potential new members this season I thought I might show some of them how a mount, or matt is cut for a photograph using the mount cutting table in the clubroom.
A couple of weeks ago I stumbled across 3 photos taken of Trunk Bay in the island of St John, right next to St Thomas and Tortola.
These three were taken in landscape mode with approximately 1/3 of the frame overlap. When taken into Photoshop and merged as a panorama, the resultant image was outstanding and really represented the view as it actually was.
I resized it to fit a continuous roll feed of glossy paper on my Epson R2880 printer, and after a few misfeeds, managed to produce the print at 24.5″ x 8.25″.
The problem with roll papers, apart from the difficulty of initially feeding it into the printer, is, that when the image is printed the paper retains a semi-permanent curl. Even after lying flat for 2 weeks, it still wanted to curl.
Anyway, I thought this would be a useful image to try cutting a 3 aperture mount to create a triptyque.
In the clubroom I explained to a number of members what I was going to try to do and received a number of different opinions on how I should present the image from, keep it as one image, use two narrow dividers or use two broad dividers. after some debate we all seemed to agree that without cutting the image into three, too much of the image would be lost under the dividers.
So finally I cut it with one conventional window with a 2″ border all round.
Here is the unmounted photo.
Whilst this was taking place, Mark Allen was busy showing Christine Pearson and others how easy it is to create a Pictures to Exe Audio Visual from her photos.
Finally, we looked and critiqued members photos supplied on memory sticks.
As usual the evening was not long enough for all we wanted to do and talk about.